Lucrecia Martel’s Zama at YBCA
A surreal feature within the realm of existential comedy, in which a colonial magistrate in 1700’s Latin America is constantly appealing to be transferred someplace else.
A surreal feature within the realm of existential comedy, in which a colonial magistrate in 1700’s Latin America is constantly appealing to be transferred someplace else.
Cirque Du Soleil’s production inspired by the music and history of Soda Stereo has arrived to Peru.
An exceptionally smart and emotional piece of music from Clarence Clarity, an artist yet to be given his proper due.
Solange’s A Seat at the Table is unapologetically black, brazen in its ethnic hues.
Shunji Iwai’s ode to disengaged youths that searched for meaningful connection in online forums, as we follow the unraveling of a bunch of teens who grow isolated from each other and find solace in the mysterious and enigmatic Lily.
In Fantasma, Argentine director Lisandro Alonso brings back the non-pro protagonists of his first two features, both hailing from remote rural areas, for a screening of his second feature in a modern urban facility.
Face is the darkly comic story of a socially awkward seamstress who is forced to fend for herself after tragedy strikes her family.
This auspicious debut feature by Korean-American director So Yong Kim deals with a young immigrant’s coming-of-age in her new surroundings.
This devastating second feature by Peng Tao centers around a young girl who is forced to beg for money on the streets by a poor couple.