Boy and the World, The
Feeling the absence of his Father, a Boy leaves behind his quiet life in his village and Mother in search of him, only to discover a world filled with strange people and machinery through his multi-colored and abstract eyes.
Feeling the absence of his Father, a Boy leaves behind his quiet life in his village and Mother in search of him, only to discover a world filled with strange people and machinery through his multi-colored and abstract eyes.
Taiyou Matsumoto’s Ping Pong manga series is taken off the pages by none other than the soaring mind of animator Masaaki Yuasa in this dynamic hard-hitting 11-episode series of two high school friends and their love for table tennis.
The Exquisite Corpse has come alive, and the music it makes is truly remarkable.
This high production take on procedural mystery is alright (alright, alright) if you don’t fall far down the spiral of hype.
Dhalgren is wandering and episodic, conveying the drifting atmosphere but unable to deter reader boredom or annoyance during stretches of tedium.
The Great Beauty presents us a glimpse into this modern Rome through the eyes of one man: Jep Gambardella.
Steve McQueen’s film deserves as much praise and discussion as it does cricism for serving as a brilliant and harrowing depiction of Northup’s years of enslavement bleeding together as he loses track of his past
A man falls madly in love with a woman who gets a rare water lily lung condition that needs to be treated merely by being surrounded by flowers.
Post Tenebras Lux is a semi-autobiographical film by Carlos Reygadas that was made purposely to baffle us, being presented as a sort of a bizarre dream.
Wheatley confirms, once and for all, his immense versatility and creative quality with the puzzling and odd A Field in England, a very low-budget film of avant-garde experimentalism featuring grotesquely appealing cinematography, rough humor, and a wildly violent side that not even his bleak Kill List can come close.