We Are Region Free. Our goal is to cover worldwide media… the films, music, tv shows and the people behind that.
In a time when homosexuality was still very much taboo, Jonathan Demme dares give what many dubbed in the late 80s/early 90s as the “gay plague” very careful consideration, and by extension highlight the element most neglected therein — the human element.
Phantom Thread is a slow-building movie, it takes its time to show what this story is about and who’s story is this. And to get under your skin.
A boy with the ability to astral project helps a bad-luck detective and an overconfident reporter when a mysterious man with a disfigured face threatens to take over New York.
After losing his family in an accident, Pete meets Elliot, the dragon who lives in the forest. Years later, he fatefully meets with Grace, the forest ranger.
Personal Property is a 1937 romantic comedy helmed by W.S. Van Dyke and starring Robert Taylor and the original blonde bombshell, Jean Harlow.
For all its clichés, Perks manages to be an interesting, well-acted indie flick that delivers a strong emotional last act.
Though an American production, Pelé: Birth of a Legend fills a gap in our continental filmography to enthrall and inspire a generation of kids that may know or not the name of football star Pele.
Peep World is a dysfunctional family comedy about how the naked truth can mend inevitable familial discontent.
We’re only halfway through 2012, but Cuong Ngo’s Pearls of the Far East is probably the most gorgeously shot film I’ve seen all year.
Pearl Jam Twenty is pretty much a love letter from Cameron Crowe to the band, but a very entertaining one nonetheless.
