Tagged: genre: score/soundtrack/compilation

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Diandra’s 2019 Music Highlights

2019 ended the decade with a vast range of fresh music; from protest anthems to fierce tracks from rappers like Lil Simz and Rico Nasty, to pop gems and oddities like, and even a breathtaking new arrangement for Mothra’s theme.

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Amy’s Top Songs of 2018

Despite the lack of full albums and minis that I listened to over the past year, my current iTunes list of chosen songs this year has a whopping +90 tracks, so yeah. It’s been a difficult task to try to reduce my list by nearly half, so there will definitely be a lot of cheating on this list.

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Beginner’s Guide to Mamamoo

To celebrate Mamamoo’s 2018 Four Season Four Colors project, I have decided to put together the ultimate guide to Mamamoo. This is called Beginner’s Guide to Mamamoo, but it’s really the Beginner’s Guide to Being a Moomoo.

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Amy’s Top50 Songs of 2017

Continuing with my traditional End of the Year lists— following the recent publication of my Music Highlights; you’ll see -as it is already customary- a lot of crossover picks. After all, good albums usually have some good tracks.

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OOHYO – Goodbye

South Korea is prepping for the release of Nobuhiro Yamashita’s Over the Fence (オーバー・フェンス) on March 16th under the literal Korean title of 오버 더 펜스.

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Yonezu Kenshi – Orion + LOSER

Japanese musician Yonezu Kenshi (米津玄師) has released a brand new song titled Orion, directed by Kento Yamada (山田健人), the ending theme for March Comes in like a Lion (3月のライオン).