TVXQ! – Five In The Black
For their sophomore Japanese effort, TVXQ brought us an album that was a mixture of surprisingly sophisticated production and smart composition, producing their most cohesive album to date.
For their sophomore Japanese effort, TVXQ brought us an album that was a mixture of surprisingly sophisticated production and smart composition, producing their most cohesive album to date.
South Korea is doing better non-Bourne movies better than The Bourne Legacy did, as we follow a North Korean agent in Berlin during a political power struggle.
A surprising and elegant debut from one of Australian Idol’s most memorable and unique contestants.
Part fairytale romance, part quirky crime mystery solving, part snarky comedy food-loving musical and more; Pushing Daisies achieved a stroke of genius uniqueness that is hardly ever going to show up on television again.
This overly-long melodramatic rom-com is the best fluff I’ve watched in a very long time, as we follow a man looking to reconnect with his ex-best-friend.
The film’s plot is simple and straight forward enough- a proper girl of an Indian family living in London is betrothed to her father’s friend but before she leaves London, she sets out to tour Europe with her girl friends, when she meets Raj.
Wheatley confirms, once and for all, his immense versatility and creative quality with the puzzling and odd A Field in England, a very low-budget film of avant-garde experimentalism featuring grotesquely appealing cinematography, rough humor, and a wildly violent side that not even his bleak Kill List can come close.
James Wan delivers a seventies style haunted house and possession film that’s a step up from his last work and a nice addition to the genre.