We Are Region Free. Our goal is to cover worldwide media… the films, music, tv shows and the people behind that.
Though the poster may mislead, The Concubine deals little with love, instead entangling itself with sacrifice, suspicion, backstabbing and revenge set in the Joseon Dynasty (1392–1897) in a way that you’re never likely to see on television unless HBO is planning a telenovela.
Famous playboy Xie Yifan sets out to bed wholesome widow Du Fenyu in a bet with an outstanding lady of society, Mo Jieyu, who’s out to get a young ingenue who’s crossed her path in the 1930’s Shanghai adaptation of Choderlos de Laclos’ Les Liaisons Dangereuses.
South Korean director Im Sang-soo’s The Taste of Money is like a Telenovela on steroids.
The Paperboy desperately tries to be trashy and fun, but ends up being an experimental mess that lets down its greatest asset.
Sidecar doesn’t need verbose overstatements of appreciation, exaggerated appeals of its brilliance. A story is as simple as love itself, it stands alone and shines on its own merits.
Underneath all the pop culture references, geeky stuff, music from MacFarlane’s iPod, and unapologetic drug use, Ted has a nice message about growing up, friendship, love, and owning up to your decisions.
Showtime’s House of Lies takes a behind-the-scenes look upon the world of management consulting.
A look at Radley Metzger’s adult film from the early seventies that explores sexuality better than most modern films do.
Grotesque is billed as a murder mystery, but it’s less of a whodunit than a probing inquiry into the ills of society.
