Cat in Paris, A

Original Title: Une Vie de Chat
Release date: December 15, 2010
Director: Jean-Loup Felicioli, Alain Gagnol
Screenplay by: Alain Gagnol, Jacques-Rémy Girerd
Cast: Dominique Blanc, Bruno Salomone, Jean Benguigui, Bernadette Lafont, Oriane Zani

A Cat in Paris is a stylish animated film about a cat with a double life.

In the daytime, Dino the Cat catches lizards to give to her loving owner Zoe (Zani), a little girl who’s unable to speak from, what I guess is, the death of her father at the hands of Victor Costa (Benguigui), whom Zoe’s mother (Blanc) has been trying to catch ever since.

At night, Dino wanders around the neighborhood and ends up at Nico’s place, where he’s known simply as “The Cat”. Nico is a burglar — with an uncanny ability for Parkour [1] — who follows “The Cat” into other people’s homes and steals pricey artifacts for a living.

It’s when little Zoe decides to follow Dino into the night that she runs into her father’s killer, who’s planning a heist with his comedic goons. All through the night, Zoe must escape from the hands of Costa and his people with the help of her cat.

A Cat in Paris has a simple story. It’s dark, in the vein of old animated films like All Dogs Go to Heaven, in that Zoe is basically an orphan — her dad was killed and her mother is always busy, as she has her own inner demons she must face when she meets Costa. Our unlikely hero is also a burglar, very much like Charlie the Dog was a doggie gambler. But the main character — though he does nothing extraordinary — is”The Cat”. However, overall the story is a must-escape tale.

This really short film — it barely passes the 1hr. mark to classify as a feature length for the upcoming Academy Awards — begins with a simple title sequence reminiscent of Saul Bass or the simple catch-me sequence in the much-loved Catch Me If You Can set to Billie Holiday’s I Wished on the Moon, but the style of the film better resembles paintings of Picasso or Matisse — maybe a combination of both. One thing is certain, the film’s style makes it stand out from the hoards of stylish clean-cut CGI animated films of the last decade.

The film’s got enough humor to entertain younger viewers, but I have no idea if there will be a dub available. In any case, if children are growing up with subtitled animated films, my commendations. There is probably one or two scary moments in the ending chase sequence, and quite a bit of dark humor — I inappropriately laughed out loud in a particular scene involving a tiny dog and a brick.

However, as much as A Cat in Paris showcases style and entertainment, it’s pretty light fair. Though the ending is supposed to give us a sense of security and happiness because Zoe’s family is “complete” once again, it feels forced and untruthful. It was a nice film, but not a life-changing experience.

Rating: ★★★½☆ 


YAM Magazine editor, photographer, blogger, translator and part-time web designer. Film junkie, music junkie… and lately series (a.k.a. TV) junkie.

9 Responses

  1. Mirella says:

    Ok, I’m sold!

  2. Rodrigo says:

    I did like it and not just for the animation (which was impressive), but I wasn’t too fond of the ending.

    I also lol’d with the dog/brick scene.

    • amy says:

      @Rodrigo, yeah… the ending was all sorts of “easy way out” to make it a happy ending because it’s an animated movie. I supposed this was subtitled for the French Cinema festival going on? How was the audience for this?

      • Rodrigo says:

        @amy, I actually saw it on TV via Max yesterday.

        • amy says:

          @Rodrigo, that is even… funnier. How are independent distributors going to compete with cable? xD

        • Rodrigo says:

          @amy, With this one, it already premiered more than a year ago in France. Midnight in Paris made it to Max faster than Cat in Paris. But even faster was the 2011 version of Conan the Barbarian that actually aired on TNT-LA last Thursday (I shit you not with that one). Some movies go to PPV faster, I think Puss in Boots made it to PPV around March.

          Latin America is kinda weird… and funny?

          As for independent stuff goes, I think cable channels in Latin America can have an edge over cinema distribution here. Maybe Melancholia airs on cable in a few months. BTW, did Winter’s Bone ever premiered here on the big screens?

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