TVXQ! – “O”-Jung.Ban.Hap
DBSK’s third Korean album attempts to show us different sides of the young group. But does it succeed or simply begin to settle the group into a distinct pattern?
DBSK’s third Korean album attempts to show us different sides of the young group. But does it succeed or simply begin to settle the group into a distinct pattern?
After a year, the Godfathers of Kpop come back with their sixth Korean album (second as a duo), an effort that’s not exactly unique, but still stands alone as work only the group could release.
For their sophomore Japanese effort, TVXQ brought us an album that was a mixture of surprisingly sophisticated production and smart composition, producing their most cohesive album to date.
DBSK’s debut album as Jpop group TVXQ (a.k.a. Tohoshinki) is a surprising piece of work that easily highlights one of the main reasons why the group came to dominate the Japanese market.
DBSK comes back with current members Changmin and Yunho leading fans into a new era of DBSK with a great balance of dance tracks and slower songs.
DBSK’s sophomore effort opens with a vocal explosion and ends on absolute perfection. There are clear signs here that what was to follow would be absolute domination.
After the huge success of Mirotic, DBSK is back with their Japanese comeback. Just a year after T, they try to keep the new style they acquired for their Korean release, but the attempt falls short.
And this is where it all started, the first tentative steps into full-blown superstardom that was Dong Bang Shin Ki.
Tyler, The Creator takes the “scare-hop” he’s been known for and adds an incredible level of maturity and introspection.