Amour (2012)
Haneke takes on his most emotional material to date, but ends up with a film that feels just as cold and distant as the rest.
Haneke takes on his most emotional material to date, but ends up with a film that feels just as cold and distant as the rest.
A fun, female-driven comedy that delivers plenty of laughs and a surprising touch of sentimentality.
Denmark’s Oscar nominee proves to be a solid and beautiful period piece led by three strong performances.
Kim Jee-woon’s American debut isn’t nearly as entertaining and over the top as his Korean films, but it still makes for a fun comeback for Arnold.
Guillermo Del Toro presents another disappointing horror effort that will leave you wishing you stuck with watching the short film that it’s very loosely built on.
Roman Coppola’s sophomore piece is one heck of a journey inside the mind of a broken-hearted asshole.
A cast of mostly talented people wasted on a travesty of a screenplay by Chris Colfer.
Ruben Fleischer’s attempt at a crime drama tries way too hard on all levels and ends up being a big disappointment.
A brutal and realistic, but ultimately inspiring true tale about a family that gets caught in a tsunami.
Andrew Dominik’s latest is an imperfect but engaging gangster film with an amusingly unsubtle message about the American economy.