You’re Next (2011)
What Scream once did for the slasher, Adam Wingard and Simon Barrett have done for home invasion with You’re Next, an impressive and incredibly entertaining subversion of the subgenre.
Author: Juan Barquin
Canyons, The (2013)
The Canyons is a film that suffers from two immensely conflicting views: the sleek and sexy post-American Gigolo world of Schrader and the aggravatingly nihilistic and shallow world of Ellis.
Now You See Me
By explaining everything and leaving nothing to the imagination, Now You See Me falls into dreadful and ridiculous predictability.
Conjuring, The
James Wan delivers a seventies style haunted house and possession film that’s a step up from his last work and a nice addition to the genre.
Spring Breakers
Harmony Korine’s neon fantasy world assaults the senses with repetition, booze, boobs, and dubstep, only to show his contempt for Spring Break culture.
Stories We Tell
After delivering a gem like Take This Waltz, director Sarah Polley has taken her camera and flipped it on herself to explore her family.
Purge, The (2013)
One of the least subtle and most aggravating home invasion films to come out in a very long time makes waste of everyone’s time.
Much Ado About Nothing (2013)
Joss Whedon breathes a new life into Shakespeare’s play with an intimacy and modern touch that it desperately needed.
