Swell Season, The – Strict Joy
Glen Hansard and Marketa Irglova are back with The Swell Season’s sophomore album, Strict Joy, which captures that sort of melancholic vibe from the film Once, so it’s very familiar already.
Glen Hansard and Marketa Irglova are back with The Swell Season’s sophomore album, Strict Joy, which captures that sort of melancholic vibe from the film Once, so it’s very familiar already.
After the success of his debut album 100 Ways for Living, which earned Lu the Golden Melody Awards for Best Newcomer and Best Composer, he’s back with Seven Days, delivering happy music with melancholic lyrics.
Seo Taiji finally released Atomos, his anticipated comeback. That alone is too much expectation, so it’s no wonder I feel totally let down by the album.
It might be her soothing voice and the simple yet beautiful melody, or maybe it’s the French name… but there must be something that makes Madeleine Peyroux worth listening to.
After a seven-year hiatus, Los Fabulosos Cadillacs are back with La Luz del Ritmo (The Light of Rhythm), which includes five new tracks, six newly arranged old Cadillacs songs, and two covers (including The Clash’s Should I Stay or Should I Go).
American Idol alumni, Melinda Doolittle, is most improved as she releases her debut album titled Coming Back to You, going back to old school R&B and Soul sounds and flare that could remind you of Tina Turner, a lot of Motown.
Hate myself for saying this, but Circus is not as bad as I thought it could’ve been. The fact is, the album has some pretty catchy tunes, which include the first single Womanizer, Circus, Shattered Glass, Radar, and my guilty pleasure If U Seek Amy.
Taylor Swift’s sophomore album delivers crossover pop-country flare all around. But think more Avril Lavigne than Faith Hill… if you know what I mean.