Tagged: genre: electronic
Radiohead is back, groovier than ever. Long gone are the melancholic days of The Bends, or the experimentalism of Kid A. This time, Thom Yorke and pals have taken on the challenge of making a glitchy, sample-filled dubstep album. Successfully? You be the judge.
After Holy Ghost’s shimmery Hold On, their classy little debut on the New York dance scene released four years ago, they are back with a record perfect for DFA sensibilities, being warm, indie, and nicely retro.
Considering I jumped around on this album like a kid on a trampoline, it’s easy for me to say that I’m highly disappointed in Verbal’s first solo album.
PLAYER is the type of album you could imagine being played in movies and fashion shows. It’s very classy in its electronic/electropop genre. Capsule brings to you an album that you will surely enjoy dancing to.
2006 Super Girl winner Laure Shang (Shang Wenjie) releases her fourth album, in which she continues her exploration of electronic pop in English and French, being aptly named the Lady Gaga from China.
This collaboration and album came like a surprise to everyone. A sweet, sweet surprise. Because there is no denying that G-Dragon and T.O.P. are the coolest members in Big Bang.
Music video directed by Nicolás Méndez from the CANADA collective.
Our latest and last issue as a PDF. This marks a new beginning for us, and marks the actual 2-month countdown for the opening of yam-mag.com. In this issue, McNeil from The Dark of the Matinee gives us a look at what was the Toronto Film Festival this year, and gives his thoughts on Let Me In, Black Swan, and Norwegian Wood.
The Catalyst takes a big risk by not using the traditional verse-chorus-verse structure, instead picking every single idea they’ve had for the past three years and putting them into something that may sound like a concept album… or not.
13:day:dream is somewhat between electronic and industrial rock with very dark and intense sequences that make it sound like a midnight feverish dream.