90 Minutes (Norwegian Film)
Eva Sorhaug’s second feature film, four years after Cold Lunch, starts in a soft manner but ends intensely, aiming to make a psychological study of three men through three different unrelated stories.
Eva Sorhaug’s second feature film, four years after Cold Lunch, starts in a soft manner but ends intensely, aiming to make a psychological study of three men through three different unrelated stories.
Swedish rock duo Johnossi played at the Circus venue in Stockholm, where the tickets were basically sold out to people of all ages that had abandoned the first sunny spring day outside for this indoor concert.
Kägelbanan relatively small venue was blown away, as the venue became a boiling pot of dancing and jumping fans for Swedish hip hop Chords.
Highly acclaimed in its country of origin, this bizarre yet audacious film will not have difficulties in triumphing outside doors, even considering that its main enthusiasts will come from restricted audiences.
Imagine Dragons played at Debaser Medis in Stockholm and I was there with my camera.
Ben Wheatley exceeds the expectations with his new indecorous comedy, skillfully mixing distinctive British humor, lurid crime, and an inviting weirdness, to depict an overwhelming love story stained by blood.
Amanda Jenssen is one of Sweden’s most famous artists discovered through a televised talent show. Her charisma and hoarse voice together with smart lyrics made her popular, and even if she didn’t win the contest, she definitely won the Swedish people’s hearts, and the show was a start to a promising career.
Iranian film director Abbas Kiarostami continues sharing his personal vision on modern urban dramas, this time he turned to Japan to tell the story of Akiko, a sociology student who works as a prostitute in Tokyo.
Hay Road is a Portuguese drama with Western semblance and a political message. Set in the beginning of the 20th century when the monarchy was about to give its place to the republic, it was inspired by David Henry Thoreau’s writings concerning the justice and moral of the State.
Marie Krøyer depicts the relationship between the Danish painter Marie Krøyer (Sørensen) and her husband painter, Peder Severin Krøyer (Sætter-Lassen).